Trust in the Rhythms of Your Life

AJ Cann  CC BY-SA 2.0

Often, so often, we experience shifts in our everyday life, shifts of emotions, of intentions, of actions–all the while listening to the inner commentator, that insistent critic who evaluates everything, usually without offering us much mercy or compassion. Left to its own devices that critic takes over, and nothing we do escapes judgment–which of course means nothing anyone else does escapes judgment, either.

We resist this critic, but in fact half or wholly believe in what it says to us, so our resistance, in Borg terms, is futile.

Yet the truth is when all of that is going on–it is our life that’s going on! We are riding the waves of our heart and mind and spirit, with one dominant at any given moment, but all three involved, all the time.

What does that mean?

It means these are the rhythms of who we are and what our life is about–the shifts, the alternations in feelings and thoughts that come according to what we give our attention to. Our life is really a matter of attention and inattention–which is what creates the waves for us, the rising and sinking, the ebb and flow, the twists and turns, the sudden revelations or inspirations. Above all, it gives us access to the full awareness that we exist. It gives this access to us rightfully and joyfully, no matter what happens.

Most people operate during the day on an autopilot when it comes to awareness of their own life,  unless the inner critic is part and parcel of that awareness. But there is another way.

Awareness can exist without the inner critic. It is possible to simply observe what is going on with us without judgment. The feelings and thoughts will pass, change, alter, move on, or stop–nothing stays for very long. We can sense their rise and fall each moment or minute or hour or day and let it be as it is.

When we allow the rhythms of our life to exist of their own accord, we are recognizing they are who we are–a fantastically creative panoply of all we do and think and experience and feel.

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